Teaching: Nothing More, Nothing Less
Daughter on the Mountaintop starts with bent knees; hands are below the waist and palms face each other. With the weight fully on the right foot, move the left heel forward straight out from the bent knee. Shift the weight gradually to the left/front foot while the arms move weightlessly upward from the elbows in opposite circles (right hand counter-clockwise, left hand clockwise) towards the centre of the body. The right hand is further away from the body than the left hand. [(Be careful not to stop the flow of energy at the elbow; allow yourself to feel it through the top of the arm and shoulder.)] As the hands reach the center of the body, the fingers are vertical and the right hand crosses on the outside of the left hand – to gently place the daughter on the mountaintop. The movement is always generated from the T’a T’ien, but particularly at this point, the T’an T’ien provides the last bit of forward weight shift to the left/front foot while the back heel releases slightly off the ground. Now the weight begins to move back to the back/right foot as the hands move down the centre (fingers vertical) and complete the circle. Repeat this nine times, move the left foot back, and end in a graceful conclusion with hands at your sides, both palms facing the earth. Breathe.
Repeat (with the reverse) on the left side.
A Daughter & the Mountaintop
Poem by Carrie Schapker; Introduction by Mary Schapker, Galloway, NJ
The younger of my two daughters (both grown and married, one in L.A. and one in the Catkills) has always been interested in pursuing a spiritual path and wanted to learn T’ai Chi Chih. She still practices with me when she comes home, which is too rarely. I often tell her that in my daily practice I include her and her intentions during “Daughter on the Mountaintop” and her sister’s intentions during “Daughter in the Valley.” She was recently moved to write a poem about that. – Mary
You Inspire Me, Mom – Carrie
You move in slow circles
slower now than before
no longer chasing small, wild feet.
You have two daughters
valley and mountain
and you hold us both.
Each morning in your living room
two coasts meet in silence
as channels connect
and currents find their ground
distance doesn’t matter.
East and west
red and rhythmic
we share the understory
the blood
the warm beating sigh
of life’s generosity
giving to itself.
We rely upon your wish
sent outward from soft hands
in the height of summer.
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