The Vital Force Archive
Forty years of The Vital Force (1985-2025), the journal of the T’ai Chi Chih community. Search for a word, a teacher, a movement or a place, or browse by category and topic.
Teaching Beginners
Teaching people who have never practiced before calls for patience, clear language and a steady pace. These articles include teaching tips for specific movements, questionnaires and other tools for new students, accounts from several teachers on introducing Bird Flaps Its Wings, and reflections on service in the classroom.
Sue Bitney describes the beginning class she started at a senior co-operative housing building during COVID, where a core of eight practise twice weekly and one man moving only one hand practises with them.
Sue Bitney
Bloomington, Minnesota
Ron Richardson turns five things his parents told him as a child, from "Pick up your feet" to "Stand on your own two feet," into practical reminders for TCC students about posture, stepping, breathing and independence.
Ron Richardson
Tupelo, Mississippi
Pam Towne traces how she moved from seeing seated T'ai Chi Chih as a last resort to respecting it as a powerful practice, after teaching wheelchair users, hurting her back overdoing the pelvic tilt, and finding beginners connect with the t'an t'ien faster when seated.
Pam Towne
Oceanside, California
Jessica Lewis credits a painful summer of toe trouble with converting her to seated T'ai Chi Chih, and lists why she now starts every student in the chair, including her VA-referred veterans.
Jessica Lewis
Claymont, Delaware
Richard Karasik argues that teachers inevitably break T'ai Chi Chih into parts such as flexible wrists, hip swivels and moving from the t'an t'ien, but the student must reassemble them, as sodium and chlorine become salt.
Richard Karasik
Saratoga, California
Lisa Stroyan's notes from Sandy McAlister's monthly Zoom teacher practice cover December's discussion of movement order and January's on drop-in classes, with Zoom tips and handout suggestions.
Lisa Stroyan
Fort Collins, Colorado
Jessica Lewis, who teaches veterans in chronic pain for the Federal T'ai Chi for Veterans program, describes using very few words in a first class so students discover the Chi themselves.
Jessica Lewis
Claymont, Delaware
Lisa Stroyan gathers highlights from the 2021 conference 20/20 activity, where 20 teachers led small groups discussing the tan t'ien, including Sandy McAlister's use of seated TCC and Carmen Brocklehurst's account of her ten-year discovery.
Lisa Stroyan
Fort Collins, Colorado
Five short passages from Justin Stone's Vital Force writings of 1986 and 1988, on accepting impermanence, love as self-realization, flowing slow motion in a dream, energy as wisdom, and his objection to teachers inventing new movements.
Sandy McAlister rereads an account she wrote 35 years earlier of teaching her first T'ai Chi Chih class, when 21 students arrived, nervousness became excitement, and fear turned to curiosity.
Sandy McAlister
Hayward, California
Susan Corey applies the Laban and Bartenieff Effort/Shape Method, with its continua of flow, weight, time and space, to T'ai Chi Chih instruction, identifying the practice as a light, sustained, direct glide.
Susan Corey
Ridley Park, Pennsylvania
Trish Winger's students kept missing the mark on Working the Pulley, so she watched herself in the mirror and recast the movement as a pie throwing machine, with one pie handed over after another.
Trish Winger
Melbourne, Florida
Sue Bitney led a 50-person introductory class outdoors in frost and 30-degree temperatures at the Minnesota Landscape Arboretum's Serenity Garden, offering a buffet of movements to let students feel different weight shifts.
Sue Bitney
Minneapolis, Minnesota
Linda Minor imagines the stress, resentment and ingratitude her life might have held without T'ai Chi Chih, and describes the sobering responsibility of now passing Justin Stone's gift to her own students.
Linda Minor
Forest Grove, Oregon
Diana Daffner addresses fellow teachers directly, listing what a TCC teacher actually does: holding a space of love, reminding students to breathe, demonstrating continuous circles, and learning alongside them.
Diana Daffner
Siesta Key, Florida
Sandy Roerig's November 2019 visit to fellow teacher Lisa in St George led her to sell her house, move within two months, and finally commit to a daily practice.
Sandy Roerig
St George, Utah
Sharon Sirkis recounts her first Zoom class of seated T'ai Chi Chih, coaching a newcomer's beautiful smile through several movements before discovering it was Melissa's still photo, left behind after she logged off.
Sharon Sirkis
Columbia, Maryland
Amy Tyksinski taught her first Zoom class to school families who appeared only as name plates, and offers practical tips on voice, contrasting socks for visible weight shifts, and trusting her own groundedness.
Amy Tyksinski
Albuquerque, New Mexico
Fran and Jim Kaib recount the day ten intellectually disabled adults and their aides joined their small public library class unannounced, and how wordless modeling and Joyous Breath brought laughter and calm.
Fran and Jim Kaib
Norwood, Pennsylvania
Mary Cerullo recounts a visit by twenty special needs adults aged 21 to 35 to Jim and Fran Kaib's class, where one young woman clapped and demanded Joyous Breath again.
Mary Cerullo
Morton, Pennsylvania
Jeneth Rundle planned a year off from teaching after moving to Oregon, then agreed to teach a neighbor recovering from cancer treatment, a stroke and surgery who progressed from seated practice to standing for a full hour.
Jeneth Rundle
Portland, Oregon
Jessica Lewis recounts a 90-minute virtual meeting with David-Dorian Ross and TaijiFit instructors about the Free T'ai Chi for Veterans program, the Fang Song principle, and how teaching Vets with few words changed her view of other T'ai Chi styles.
Jessica Lewis
Claymont, Delaware
Linda Jones lays out the teaching rules for David-Dorian Ross's Tai Chi for Vets program: verbal safety cues and humor are welcome, but no individual corrections, no detailed demonstration and no expectation that veterans memorize the movements.
Linda Jones
Bennettsville, South Carolina
Sandy McAlister answers whether all 19 movements must be done in order, citing Justin Stone on Chi memory, and describes reordering her beginner classes so students finish on familiar ground.
Sandy McAlister
Hayward, California
Terry Jennings recounts stopping at Carmen's Seijaku retreat in New Mexico on the annual drive to a family farm, then teaching four classes to beloved friends in Des Moines, where one student joked about getting only half the benefits.
Terry Jennings
Honolulu, Hawaii
Carmen L. Brocklehurst asks teachers to teach the movements exactly as Justin Stone gave them, recalling a teacher who planned to omit difficult parts, and to demonstrate what they say.
Carmen L. Brocklehurst
Albuquerque, New Mexico
Bev Chandley handed each of her 31 senior students at Shell Point Retirement Community a polished stone to hold palm up, and not one hand turned over while learning Pulling Taffy.
Bev Chandley
Fort Myers, Florida
Judy Kistler-Robinson, teaching a Saturday class at a 55-plus retirement complex, found herself telling students to pick up a burden from the shoulder, carry it forward and release it.
Judy Kistler-Robinson
Plano, Texas
Shari Holmes, accredited in November and teaching her first class right after New Year, describes the twelve students who came, the forgotten handouts and tips, and watching beginners find softness.
Shari Holmes
Albuquerque, New Mexico
Andrea Skillman recounts teaching T'ai Chi Chih to long-term care residents, veterans at fall risk, and more than a decade of early morning classes for the American Holistic Nurse Association's national conference, with student evaluations included.
Andrea Skillman
Gurnee, Illinois
