The Vital Force Archive
Eighteen years of The Vital Force (2007-2025), the journal of the T’ai Chi Chih community. Search for a word, a teacher, a movement or a place, or browse by category and topic.
August 2022
The August 2022 issue opens with Justin Stone’s account of meeting Rammurti Mishra and Amy Tyksinski’s collection of his remarks on dyeing the cloth. Much of the issue weighs group against solo practice, with Daniel Pienciak drawing on choral singing and piano, while Paul Ciske argues from physics that the t’an t’ien is dynamic.
Short aphorisms from Justin Stone on posture as a reading of character, Paul Reps's answers about belief and vinegar, the Ryoan-ji temple sign, and why T'ai Chi Chih should never be hitched to other causes.
Justin Stone recounts arriving unannounced at Rammurti Mishra's Manhattan ashram, the Indian teacher's reading of his recurring vision of a burning golden Buddha head, and his koan-like reply about mistakes.
Lorraine Lepine describes the four-days-a-week Zoom practice she has led since March 2020, letting the Chi teach during silent practice, with testimonials from Melissa, Steve Geer, John Marquez and Nicky Mendenhall.
Lorraine Lepine
Prairie Village, Kansas
Amy Tyksinski gathers quotations recorded in small group sessions with Justin Stone around his metaphor of dyeing the cloth, linking devotion, faith and letting go to becoming large-hearted.
Amy Tyksinski
Albuquerque, New Mexico
Diana Daffner describes how she and her husband Richard included T'ai Chi Chih in twenty-five years of couples coaching, finding that partners facing each other while moving developed a heartfelt connection.
Diana Daffner
Sarasota, Florida
Laurie Jacobi recounts how pandemic isolation in Minnesota opened a fruitful emptiness, drawing on Lao Tzu, Japanese flower arranging and the slowed transitions between movements, followed by readers' Pyramid Poems.
Laurie Jacobi
Minneapolis, Minnesota
Patty Stupca uses the Zen parable of the overflowing teacup to ask what expectations, shoulds and judgments students bring to practice, offering gratitude as what to fill the cup with instead.
Patty Stupca
Rochester, Minnesota
Ann Rutherford defends the closing position as grounding rather than ornament, recounting a student whose ungrounded chi threw Ann into spasms of pain, plus her lightning-rod and kelp teaching images.
Ann Rutherford
Albuquerque, New Mexico
Guy Kent compares solo and group practice after the 2022 teacher conference, recalling forty-minute sessions with Justin in Albuquerque and suggesting practitioners time their own practice against that mark.
Guy Kent
Albuquerque, New Mexico
Sandy McAlister explains why Justin Stone wanted teachers to educate themselves rather than take formal courses, and how conference talks on Taoist philosophy, grounding, meditation and Justin's own travels deepen a teacher's understanding.
Sandy McAlister
Hayward, California
Eliza Fulton maps the body's subtle anatomy - the toric field, chakras, the shushumna and the koshas from physical to bliss body - and argues TCC's circular movements rebalance them; a short poem by Terry Gay Puckett closes the piece.
Eliza Fulton
Idledale, Colorado
Daniel Pienciak, a conservatory-trained musician, compares solo piano practice and choral singing to TCC, arguing that group flow delights but daily solo practice carries the inner discipline Justin Stone described.
Daniel Pienciak
Howell Township, New Jersey
Linda Prosche describes attending the virtual 2022 Teacher Conference with 150 others, lying on the floor to rest her back, and finding that less effort meant she learned more.
Linda Prosche
Novato, California
April Leffler uses Justin Stone's image of teachers as the jewel of T'ai Chi Chih to recount the 2022 conference rededication ceremony and her own resistance to seeing teachers stand up after grounding.
April Leffler
Prospect Park, Pennsylvania
Lynne Roberts recounts the 2022 virtual conference with 60 volunteers and 163 teachers, praising new presenters and April Leffler's tip of mentally placing dimes on the soles of the feet.
Lynne Roberts
Missoula, Montana
Lisa Stroyan admits she has never practised steadfastly alone, and describes how Zoom group practice and a Seijaku class question from Carmen gave her the phrase "supportive cohesiveness."
Lisa Stroyan
Fort Collins, Colorado
Paul Ciske argues from the physics of the center of mass, which shifts with posture and can fall outside the body entirely, that the t'an t'ien is dynamic, empty and representative of the universal.
Paul Ciske
Oakland, California
Trish Winger names the commitment that a daily group practice creates after 20 years of putting her own practice last, alongside the freedom of solo practice to choose movements and pause.
Trish Winger
Melbourne, Florida
Rosemarie Berezin signed up at the Clarkstown Community Learning Center thinking T'ai Chi Chih was formal T'ai Chi, and found in Oreann's class a practice that feels like floating in the Caribbean.
Rosemarie Berezin
New York State
Denise Alire found joy in worldwide Zoom practice during years of solitude, favors practicing alone along the beach until a place invites her to stop, and still loves the stronger cosmic vibrations of moving as one in person.
Denise Alire
Media, Pennsylvania
Kathy Plachy describes a year in Oreann's class at the Clarkstown Community Learning Center, where slow repetitive movement eased her arthritic hands and steadied her enough to enjoy a steep rocky trail without fear.
Kathy Plachy
Congers, New York
Drawing on three decades as a Special Education teacher, Linda Braga argues that partner practice, where classmates observe each other and trade feedback, should be a standard part of every TCC class.
Linda Braga
Castro Valley, California
Joyce Kanyuk credits her teacher Oreann with bringing students into peace and calm, and describes looking forward to the camaraderie of Monday morning class and feeling the energy of the movements; Pyramid Poems by Johnnie Lee Marquez follow.
Joyce Kanyuk
New York State
Sue Bitney describes the beginning class she started at a senior co-operative housing building during COVID, where a core of eight practise twice weekly and one man moving only one hand practises with them.
Sue Bitney
Bloomington, Minnesota
Lisa Stroyan gathers teachers' views from April Leffler's July Second Saturday practice on whether and how to teach the hip swivel, including Justin's one-finger ellipse and Carmen Brocklehurst's "tiny hula in the tan t'ien."
Lisa Stroyan
Fort Collins, Colorado
John Marquez describes a 5:30AM Saturday with his cat Bella, arguing with his own laziness, and finds that beginning one movement, or even a weight shift in a checkout line, builds consistency.
John Marquez
Antioch, California
Rosalind L Braga praises the 2022 conference for its easy attendance and the fact that no one had to choose between presentations, and for awakening a lasting sense of belonging among longtime teaching colleagues.
Rosalind L Braga
Castro Valley, California
Laurie Jacobi takes a student's description of T'ai Chi Chih as a tool for transformation and applies it to her own foot placement, Push Pull and Passing Clouds, watching physical corrections change corresponding areas of her life.
Laurie Jacobi
Minneapolis, Minnesota
Ron Richardson turns five things his parents told him as a child, from "Pick up your feet" to "Stand on your own two feet," into practical reminders for TCC students about posture, stepping, breathing and independence.
Ron Richardson
Tupelo, Mississippi
Carmen L. Brocklehurst recounts how Eliza Fulton and Anita Vestal built a virtual 2022 teacher conference for 156 Zoom participants, and how Patty Stupca's talk sharpened her own teaching of grounding the Chi.
Carmen L. Brocklehurst
Albuquerque, New Mexico
